Wanja Kimani’s borrowed intimacy series looks at the process of assimilation into a new surrounding; the act of engaging and creating a new place to belong whilst still holding on to the memory of the previous place. Taking her own experience, Kimani looked back at the conscious and subconscious processes that led her to see England as her home. An embroidered text sits on white cotton dill, with a print of an image repeated from one to the next, with material and image consistently fading like a tenuous memory.
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Wanja Kimani’s borrowed intimacy series looks at the process of assimilation into a new surrounding; the act of engaging and creating a new place to belong whilst still holding on to the memory of the previous place. Taking her own experience, Kimani looked back at the conscious and subconscious processes that led her to see England as her home. An embroidered text sits on white cotton dill, with a print of an image repeated from one to the next, with material and image consistently fading like a tenuous memory.
Wanja Kimani
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