Bringing the viewer into the bedrooms of four 15-year-old girls with a behind-the-scenes view of the selfie, Heart Eyes and a World, raises questions about the normalisation of self-objectification.
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Bringing the viewer into the bedrooms of four 15-year-old girls with a behind-the-scenes view of the selfie, Heart Eyes and a World, raises questions about the normalisation of self-objectification.
Rosie Morris
NFTS ,
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