As George Antheil's avant-garde composition "Ballet Mecanique (1952 revision)" plays, a dizzying array of abstract paintings are captured in close-up, spun around, and rapidly edited together. Grotesque and frightening creatures start to emerge through the flickering shapes and patterns.
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As George Antheil's avant-garde composition "Ballet Mecanique (1952 revision)" plays, a dizzying array of abstract paintings are captured in close-up, spun around, and rapidly edited together. Grotesque and frightening creatures start to emerge through the flickering shapes and patterns.
Suzan Pitt
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