This film was inspired by the editing, audio and narrative techniques used by Jean-Luc Godard in his film British Sounds (1969). Our film is an attempt to find out whether the spirit (if not the letter) of Godard’s experiments could be transferred to the suffocating reality of Russia on the eve of the 2011-2012 parliamentary and presidential elections. Godard’s film was released during a boisterous, revolutionary period in British politics and society. It was a manifesto for a new agitational cinema capable of describing the totality of social transformations in their dialectical emergence. Are we capable, in the midst of profound political and social reaction, of critically sharing Godard’s vision and aesthetics?
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This film was inspired by the editing, audio and narrative techniques used by Jean-Luc Godard in his film British Sounds (1969). Our film is an attempt to find out whether the spirit (if not the letter) of Godard’s experiments could be transferred to the suffocating reality of Russia on the eve of the 2011-2012 parliamentary and presidential elections. Godard’s film was released during a boisterous, revolutionary period in British politics and society. It was a manifesto for a new agitational cinema capable of describing the totality of social transformations in their dialectical emergence. Are we capable, in the midst of profound political and social reaction, of critically sharing Godard’s vision and aesthetics?
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