This new video animation intersperses news clippings dated from 1982 to 2016 with bands of changing colour. The barrage of images and the black metal that accompanies them, presents an overwhelming concurrence of fact and feeling. As images blend into one another, and the aesthetic connection to colour allows intuition to take over, the work suggest the possibility that our emotions can resist the culture of publicity and reshape notions of progress.
This new video animation intersperses news clippings dated from 1982 to 2016 with bands of changing colour. The barrage of images and the black metal that accompanies them, presents an overwhelming concurrence of fact and feeling. As images blend into one another, and the aesthetic connection to colour allows intuition to take over, the work suggest the possibility that our emotions can resist the culture of publicity and reshape notions of progress.
Doug Ashford
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