In Camouflage (Boulder/Iceland) I utilize the photograph object to investigate the difference between a lithic and a human sense of time. My embodiment as a boulder within the Icelandic landscape is intended to reference a glacial erratic—a tangible remnant of geologic memory and time within the landscape.
In Camouflage (Boulder/Iceland) I utilize the photograph object to investigate the difference between a lithic and a human sense of time. My embodiment as a boulder within the Icelandic landscape is intended to reference a glacial erratic—a tangible remnant of geologic memory and time within the landscape.
Sarah Fuller
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