In day-for-night blue and hunting camera night vision, darkness is replicated and punctured. Looking finds bodies in the dark, at the threshold of intimacy and trespass. Objects, surfaces, spaces become evidentiary and deceptive in a subjectless portrait of mourning.
In day-for-night blue and hunting camera night vision, darkness is replicated and punctured. Looking finds bodies in the dark, at the threshold of intimacy and trespass. Objects, surfaces, spaces become evidentiary and deceptive in a subjectless portrait of mourning.
Mary Helena Clark
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