In the hands of a young filmmaker, a Handycam primarily used for homemade family movies transforms into a tool for self-reflection. Compilations of personal archives and images from the subconscious prompt us to embark on a journey of re-examining gender-identity formation in a conservative, post-Soviet Republic of Georgia.
In the hands of a young filmmaker, a Handycam primarily used for homemade family movies transforms into a tool for self-reflection. Compilations of personal archives and images from the subconscious prompt us to embark on a journey of re-examining gender-identity formation in a conservative, post-Soviet Republic of Georgia.
Giorgi Kolbaia
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