Bringing the viewer into the bedrooms of four 15-year-old girls with a behind-the-scenes view of the selfie, Heart Eyes and a World, raises questions about the normalisation of self-objectification.
Bringing the viewer into the bedrooms of four 15-year-old girls with a behind-the-scenes view of the selfie, Heart Eyes and a World, raises questions about the normalisation of self-objectification.
Rosie Morris
NFTS ,
