Through the ears of an acoustic engineer, the film explores how in the near silence of the anechoic chamber, listening is a straining toward understanding and connection. It engages with cinema as a body — one given presence and depth through sound — and a body as a resounding instrument, which listens to its own vibratory depths and amplifies its feedback. —Dominic Bonelli, Eislow Johnson
Through the ears of an acoustic engineer, the film explores how in the near silence of the anechoic chamber, listening is a straining toward understanding and connection. It engages with cinema as a body — one given presence and depth through sound — and a body as a resounding instrument, which listens to its own vibratory depths and amplifies its feedback. —Dominic Bonelli, Eislow Johnson
Eislow Johnson
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