In a deft assemblage of deteriorating found footage, the nostalgia of a scratchy old record, and a kind of fragmented lyric essay rendered in text-on-screen, Brooklyn-based, second-generation Chinese American filmmaker, Tiffany Jiang, questions the reliability of family history and photo albums, considers the possible outcomes of child rearing, and wonders about having children at all. Queer and non-binary, Jiang renders a dreamy assemblage. Results May Vary is at once of the archive and the archive revitalized, wary and interrogatory, melancholy and hopeful.
In a deft assemblage of deteriorating found footage, the nostalgia of a scratchy old record, and a kind of fragmented lyric essay rendered in text-on-screen, Brooklyn-based, second-generation Chinese American filmmaker, Tiffany Jiang, questions the reliability of family history and photo albums, considers the possible outcomes of child rearing, and wonders about having children at all. Queer and non-binary, Jiang renders a dreamy assemblage. Results May Vary is at once of the archive and the archive revitalized, wary and interrogatory, melancholy and hopeful.
Tiffany Jiang
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