“The music, ‘Blues in B-flat’ by Volker Heyn, performed by cellist Anton Lukoszevieze, provides the framework for The Oblique. The title comes from an instruction in the score: ‘oblique down stroke’ — a call to the cellist to use an oblique bow. In the film branches of magnolia extend into the empty cavity of the cello, the space where sound resonates.” (JP)
“The music, ‘Blues in B-flat’ by Volker Heyn, performed by cellist Anton Lukoszevieze, provides the framework for The Oblique. The title comes from an instruction in the score: ‘oblique down stroke’ — a call to the cellist to use an oblique bow. In the film branches of magnolia extend into the empty cavity of the cello, the space where sound resonates.” (JP)
Jayne Parker
,
