Films included: The Brigand Of Kandahar (1965) / A Challenge For Robin Hood (1967) / The Devil-Ship Pirates (1964) / Dick Turpin Highwayman (1956) / The Pirates Of Blood River (1962) / The Scarlet Blade (1963) / The Stranglers Of Bombay (1959) / Sword Of Sherwood Forest (1960) / Wolfshead: The Legend of Robin Hood (1969)

Films included: The Brigand Of Kandahar (1965) / A Challenge For Robin Hood (1967) / The Devil-Ship Pirates (1964) / Dick Turpin Highwayman (1956) / The Pirates Of Blood River (1962) / The Scarlet Blade (1963) / The Stranglers Of Bombay (1959) / Sword Of Sherwood Forest (1960) / Wolfshead: The Legend of Robin Hood (1969)

Hammer Films is one of the most famous independent British film production companies as well as one of the most successful. Its output continues to inspire many of the genre films made today and many of the cinema's foremost directors. This episode takes a general look across the various genres Hammer explored.

Hammer Films is one of the most famous independent British film production companies as well as one of the most successful. Its output continues to inspire many of the genre films made today and many of the cinema's foremost directors. This episode takes a general look across the various genres Hammer explored.

Christopher Lee was one of Hammer's most famous stars. From his debut in The Curse of Frankenstein, he went on to make the role of Count Dracula his own starring in eight of Hammer's Dracula productions. Lee also starred in many other of the studio's films from The Hound Of The Baskervilles (1959) to To the Devil a Daughter.

Christopher Lee was one of Hammer's most famous stars. From his debut in The Curse of Frankenstein, he went on to make the role of Count Dracula his own starring in eight of Hammer's Dracula productions. Lee also starred in many other of the studio's films from The Hound Of The Baskervilles (1959) to To the Devil a Daughter.

Based on Mary Shelley's novel, Hammer's startling cycle of Frankenstein films were equally as popular—and controversial—as their renowned Dracula series. In the studio's hands, the legend was reborn as explicit thrillers of gothic horror, all in gloriously gory colour. Portrayed by genre icon Peter Cushing, Baron Frankenstein emerged as a fascinating combination of visionary intelligence, heroic passion and diabolical obsession. As for Frankenstein's monsters, these are the creatures that changed the stitched-up face of horror forever.

Based on Mary Shelley's novel, Hammer's startling cycle of Frankenstein films were equally as popular—and controversial—as their renowned Dracula series. In the studio's hands, the legend was reborn as explicit thrillers of gothic horror, all in gloriously gory colour. Portrayed by genre icon Peter Cushing, Baron Frankenstein emerged as a fascinating combination of visionary intelligence, heroic passion and diabolical obsession. As for Frankenstein's monsters, these are the creatures that changed the stitched-up face of horror forever.

Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low-budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale.

Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low-budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale.

Over the course of three decades, Hammer Films redefined the classic legends of the mummy, the werewolf and the zombie. More than mere "monster movies," these films were frightening new takes on familiar tales, complete with chilling scares, startling violence and the one-of-a-kind visual style that became a worldwide Hammer trademark.

Over the course of three decades, Hammer Films redefined the classic legends of the mummy, the werewolf and the zombie. More than mere "monster movies," these films were frightening new takes on familiar tales, complete with chilling scares, startling violence and the one-of-a-kind visual style that became a worldwide Hammer trademark.

Hammer's science-fiction films are a classic genre unto themselves. For nearly three decades, the studio presented fantastic tales of space travel, alien invasions, nuclear mutation, and more with a combination of rare intelligence and crowd-pleasing action. Even today, their adaptations of Nigel Kneale's Quatermass series remain provocative science fiction.

Hammer's science-fiction films are a classic genre unto themselves. For nearly three decades, the studio presented fantastic tales of space travel, alien invasions, nuclear mutation, and more with a combination of rare intelligence and crowd-pleasing action. Even today, their adaptations of Nigel Kneale's Quatermass series remain provocative science fiction.

Hammer's war films covered controversial stories such as The Camp on Blood Island and The Steel Bayonet, comedies including I Only Arsked and Further Up the Creek and even a remake of the 1938 classic The Lady Vanishes. Films included: Break In The Circle (1955) / The Camp On Blood Island (1958) / Further Up the Creek (1958) / I Only Arsked (1958) / The Lady Vanishes (1979) / The Secret of Blood Island (1964) / Up the Creek (1958) / Ten Seconds To Hell (1959) / The Steel Bayonet (1957) / Yesterday's Enemy (1959)

Hammer's war films covered controversial stories such as The Camp on Blood Island and The Steel Bayonet, comedies including I Only Arsked and Further Up the Creek and even a remake of the 1938 classic The Lady Vanishes. Films included: Break In The Circle (1955) / The Camp On Blood Island (1958) / Further Up the Creek (1958) / I Only Arsked (1958) / The Lady Vanishes (1979) / The Secret of Blood Island (1964) / Up the Creek (1958) / Ten Seconds To Hell (1959) / The Steel Bayonet (1957) / Yesterday's Enemy (1959)